It is the sort of buzzy production that was once a staple of the Brooklyn Academy of Music. Tennessee Williams’s “A Streetcar Named Desire,” with its Oscar-nominated lead man, Paul Mescal, has people clamoring for tickets to BAM’s production this month. The excitement recalls a period when the performing arts …
“John Garfield should be doing this part, not me.” This declaration of self-doubt was muttered by a scruffy, largely untried 23-year-old actor at the first table read for a new work by a fast-rising young American playwright. The year was 1947; the setting, a rooftop rehearsal space on West 42nd …
When “The Threepenny Opera” returns to New York this spring, for an all-too-brief visit to the Brooklyn Academy of Music, it will be notable for a few reasons. For one, it will be a homecoming. Although “Threepenny” was born in Berlin, an artifact of Weimar-era culture, with music by Kurt …
“A journalist finds himself in the woods.” Marc Da Costa, a digital artist with a Ph.D. in anthropology, was speaking from the controls of an artificial intelligence-driven video installation at the Onassis Foundation’s ONX Studio, a high-tech media lab in the Olympic Tower in Midtown Manhattan. He was talking to …