This transcript was created using speech recognition software. While it has been reviewed by human transcribers, it may contain errors. Please review the episode audio before quoting from this transcript and email transcripts@nytimes.com with any questions. anna martin Hey, everyone. It’s Anna. Before we start, the “Modern Love” team wants …
Karen Durbin, a fierce feminist who championed sexual liberation and fulfillment as a journalist, served as the second female editor in chief of The Village Voice and then went on to become a virtuoso film critic for The New York Times and other publications, died on April 15 in Brooklyn. …
The cold open: In television, it’s a scene that begins an episode before the title sequence, often without leading characters but almost always with foreshadowing hooks to confound or set a mood. Theater doesn’t really have much of a cold open tradition. The expectation is that you introduce the main …
Great musical comedies are great mysteries, and not just because they’re so rare. They’re also mysteries in the way they operate. To succeed, they must keep far ahead of the audience, like thrillers with twists you can’t see coming. They are whodunits with songs instead of murders. “Smash,” which opened …
After a critically acclaimed premiere in London’s West End in 2023 — where it is still running — “Stranger Things: The First Shadow,” a play that serves as a prequel to the popular Netflix series, is set to open on April 22 at the Marquis Theater on Broadway. Of course, …
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The concert stage-to-Hollywood highway has been wide and inviting for decades. Everyone from Elvis and the Beatles to Madonna and Taylor Swift has journeyed down that road. But there’s something unique about Bob Dylan’s big-screen presence. He is Dylan the troubadour, Dylan the documentary subject, Dylan the car commercial star, …